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Never has Giuseppe Verdi composed revenge, intrigue and jealousy fierier and more diabolical than in his late opera “Otello”. One of the greatest love stories in literature – Otello is the second of Verdi’s three Shakespeare operas – fails brutally, cruelly and senselessly. With the title role of Otello, Jonas Kaufmann takes on what is probably the most demanding part of his vocal register He is “in splendid form” (Kronen Zeitung) and “has sung his way into the Olympus as an interpreter of Otello” (klassik-begeistert.de) with this performance.

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